{"id":7398,"date":"2018-01-22T11:14:31","date_gmt":"2018-01-22T11:14:31","guid":{"rendered":"https:\/\/dkis.si\/?p=7398"},"modified":"2026-02-23T21:41:39","modified_gmt":"2026-02-23T20:41:39","slug":"dugo-traje-ovo-vreme","status":"publish","type":"post","link":"https:\/\/dkis.si\/sr\/dugo-traje-ovo-vreme\/","title":{"rendered":"Dugo traje ovo vreme"},"content":{"rendered":"

\"\"<\/a>Bojan Vasi<\/span>\u0107<\/span><\/strong>, jedan od najzna<\/span>\u010d<\/span>ajnijih srpskih pesnika mla<\/span>\u0111<\/span>e generacije, objavio je nedavno najnoviju zbirku poezije <\/span>Volfram<\/i><\/span><\/a> (Kontrast izdava<\/em><\/span>\u0161<\/span><\/em>tvo, Beograd<\/em>). <\/span><\/p>\n

To je njegova <\/span>\u0161<\/span>esta zbirka pesama, a prva, <\/span>Sr<\/i><\/span>\u010d<\/i><\/span>a (Gradska biblioteka Vladislav Petkovi<\/i><\/span>\u0107<\/i><\/span> Dis, <\/i><\/span>\u010c<\/i><\/span>a<\/i><\/span>\u010d<\/i><\/span>ak) <\/i><\/span>za koju je dobio dve pesni<\/span>\u010d<\/span>ke nagrade, <\/span>Mladi Dis<\/i><\/span> i <\/span>Mati<\/i><\/span>\u0107<\/i><\/span>ev <\/i><\/span>\u0161<\/i><\/span>al<\/i><\/span>, objavljena je i u Sloveniji<\/a> kod <\/span>Srpskog kulturnog centra Danilo Ki<\/span><\/span><\/em>\u0161<\/span><\/span> u dvojezi<\/span><\/span>\u010d<\/span><\/span>nom izdanju, u prevodu Varje Bal<\/span><\/span>\u017e<\/span><\/span>alorsky Anti<\/span><\/span>\u0107<\/span><\/span>.<\/span><\/span><\/u><\/p>\n

Prenosimo deo intervjua u ne\u0161to izmenjenom obliku iz emisije Kontrola leta<\/a> na Radiju \u0160tudent i dve pesme Bojana Vasi\u0107a iz zbirke Volfram<\/em>.<\/span><\/u><\/p>\n

Kada sa ove ta<\/b><\/span><\/span>\u010d<\/b><\/span><\/span>ke, posle <\/b><\/span><\/span>\u0161<\/b><\/span><\/span>este zbirke pesama, pogleda<\/b><\/span><\/span>\u0161<\/b><\/span><\/span> unazad, kako se razvijala tvoja poetika tokom vremena?<\/b><\/span><\/span><\/p>\n

Moja poetika se razvijala onako kako je meni samom bilo najzanimljivije, kako sam mislio da je najispravnije, prepu<\/span><\/span>\u0161<\/span><\/span>t<\/span><\/span>a<\/span><\/span>o sam se inicijalnom impulsu koji je ve<\/span><\/span>\u0107<\/span><\/span> podsvesno <\/span><\/span>staja<\/span><\/span>o iza knjige i pustio ga da me vodi, <\/span><\/span>\u010d<\/span><\/span>ekao kako <\/span><\/span>\u0107<\/span><\/span>u sam sebe da iznenadim <\/span><\/span>svak<\/span><\/span>om novom knjigom.<\/span><\/span><\/p>\n

K<\/span><\/span><\/strong>oje su tvoje teme? <\/b><\/span><\/span><\/p>\n

Nisu to samo teme, to su i postupci, to <\/span><\/span>je meni jednako va<\/span><\/span>\u017e<\/span><\/span>no<\/span><\/span>. Uvek <\/span><\/span>je <\/span> <\/span>zanimljivo uradi<\/span><\/span>ti<\/span><\/span> ne<\/span><\/span>\u0161<\/span><\/span>to novo <\/span><\/span>i na druga<\/span><\/span>\u010d<\/span><\/span>iji na<\/span><\/span>\u010d<\/span><\/span>in, u<\/span><\/span>radi<\/span><\/span>ti<\/span><\/span> ne<\/span><\/span>\u0161<\/span><\/span>to <\/span><\/span>\u0161<\/span><\/span>to <\/span><\/span>bi<\/span><\/span> me <\/span><\/span>katapultiralo direktno u jezik,<\/span><\/span> na videlo, kako bih mogao direktnije i lak<\/span><\/span>\u0161<\/span><\/span>e da se uhvatim u ko<\/span><\/span>\u0161<\/span><\/span>tac sa sobom. Zato mi je <\/span><\/span>toli<\/span><\/span>ko va<\/span><\/span>\u017e<\/span><\/span>no bilo nadrealisti<\/span><\/span>\u010d<\/span><\/span>ko iskustvo, koj<\/span><\/span>e<\/span><\/span> sam upotrebio na specifi<\/span><\/span>\u010d<\/span><\/span>an na<\/span><\/span>\u010d<\/span><\/span>in, <\/span><\/span>ta<\/span><\/span>\u010d<\/span><\/span>nije, z<\/span><\/span>loupotrebi<\/span><\/span>o<\/span><\/span> onako kako <\/span><\/span>mi je odgovaralo,<\/span><\/span> kako<\/span><\/span> bih mogao nesvesno, koje ni<\/span><\/span>kada nije<\/span><\/span> samo individualno, <\/span><\/span>ve<\/span><\/span>\u0107<\/span><\/span> i dru<\/span><\/span>\u0161<\/span><\/span>tveno nesvesno, da izbacim, da zatvorim u prostor pesme i tamo <\/span><\/span>s<\/span><\/span>e na neki na<\/span><\/span>\u010d<\/span><\/span>in sa <\/span><\/span>nj<\/span><\/span>im obra<\/span><\/span>\u010d<\/span><\/span>unam. <\/span><\/span><\/p>\n

Svaka tematika koja <\/span><\/span>bi na taj na<\/span><\/span>\u010d<\/span><\/span>in <\/span><\/span>ispliva<\/span><\/span>la<\/span><\/span> nije tra<\/span><\/span>\u017e<\/span><\/span>ena, ve<\/span><\/span>\u0107<\/span><\/span> je unapred bila tu<\/span><\/span>. Ja tek iz pisanja saznajem koje me teme najvi<\/span><\/span>\u0161<\/span><\/span>e interesuju i koje su mi najproblemati<\/span><\/span>\u010d<\/span><\/span>nije. Ne postavljam sebi zadatak nego zadatak nalazim ve<\/span><\/span>\u0107<\/span><\/span> zad<\/span><\/span>a<\/span><\/span>t<\/span><\/span>. Moje je samo da poku<\/span><\/span>\u0161<\/span><\/span>am da ga <\/span><\/span>potom <\/span> <\/span>re<\/span><\/span>\u0161<\/span><\/span>im.<\/span><\/span><\/p>\n

Dosta su velike promene iz knjige u knjigu. Na primer, Sr<\/span><\/span>\u010d<\/span><\/span>a je pisana postmodernisti<\/span><\/span>\u010d<\/span><\/span>kim i <\/span><\/span>onim <\/span> <\/span>\u0161<\/span><\/span>to se naziva<\/span><\/span> postpostmodernisti<\/span><\/span>\u010d<\/span><\/span>kim jezikom, <\/span><\/span>tj. <\/span><\/span>kombinovan<\/span><\/span>e<\/span><\/span> s<\/span><\/span>u <\/span><\/span>metapoetika <\/span> <\/span>i ironija <\/span><\/span>sa <\/span><\/span>iskreno<\/span><\/span>\u0161\u0107<\/span><\/span>u i<\/span><\/span> mekim lirizmom. <\/span><\/span>Poetika prvih pesama<\/span><\/span> nas<\/span><\/span>lan<\/span><\/span>ja <\/span><\/span>se, sa jedne strane, <\/span><\/span>na iskustva pesnika koji su se u Srbiji oformili i pisali <\/span><\/span>tokom <\/span> <\/span>devedesetih godina, <\/span><\/span>na <\/span><\/span>tzv. generacij<\/span><\/span>u<\/span><\/span> transsimbolista, <\/span><\/span>dok,<\/span><\/span> sa druge strane, komunicira sa iskustvom postmodernisti<\/span><\/span>\u010d<\/span><\/span>ke poezije osamdesetih, <\/span><\/span>kakva se nalazi <\/span><\/span>npr. <\/span> <\/span>u hrestomatiji<\/span><\/span> \u0160<\/i><\/span><\/span>um Vavilona<\/i><\/span><\/span>. <\/span><\/span>U drugoj knjizi, <\/span><\/span>Tomato<\/i><\/span><\/span>-u,<\/span><\/span> vi<\/span><\/span>\u0161<\/span><\/span>e <\/span><\/span>se<\/span><\/span> ose<\/span><\/span>\u0107<\/span><\/span>a<\/span><\/span> uticaj i neoavangarde i <\/span><\/span>nekog<\/span><\/span> neo<\/span><\/span>nadrealizma, koji je tu jo<\/span><\/span>\u0161<\/span><\/span> dosta tih i sveden, <\/span><\/span>d<\/span><\/span>ok <\/span><\/span>je <\/span><\/span>u tre<\/span><\/span>\u0107<\/span><\/span>oj knjizi <\/span><\/span>Ictus<\/i><\/span><\/span> taj nadrealisti<\/span><\/span>\u010d<\/span><\/span>ki uticaj najvidniji, <\/span><\/span>tu<\/span><\/span> se potpuno prepu<\/span><\/span>\u0161<\/span><\/span>tam logici metafore, <\/span><\/span>barem<\/span><\/span> u jednoj polovini knjige. Sli<\/span><\/span>\u010d<\/span><\/span>no je i <\/span><\/span>u potonjim k<\/span><\/span>nji<\/span><\/span>gama<\/span><\/span> Trinaest<\/i><\/span><\/span> i u <\/span><\/span>Detroit<\/i><\/span><\/span>. <\/span><\/span><\/p>\n

Sada, u novo<\/span><\/span>j<\/span><\/span> zbirci<\/span><\/span>, polako izlazim iz te poetike i vra<\/span><\/span>\u0107<\/span><\/span>am se na neki na<\/span><\/span>\u010d<\/span><\/span>in <\/span><\/span>Sr<\/i><\/span><\/span>\u010d<\/i><\/span><\/span>i<\/i><\/span><\/span> i <\/span><\/span>njen<\/span><\/span>om <\/span><\/span>hibridnom <\/span> <\/span>izrazu. <\/span><\/span>Ipak, nijedna od tih mena nije bila do kraja voljna<\/span><\/span>, to nije <\/span><\/span>bio <\/span><\/span>eksperiment radi eksperimenta, ni<\/span><\/span>ti je ijedan od tih rukopisa,<\/span><\/span> u jakom smislu <\/span><\/span>re<\/span><\/span>\u010d<\/span><\/span>i,<\/span><\/span> bio <\/span><\/span>projekat. Prosto, to <\/span><\/span>su bili<\/span><\/span> moj<\/span><\/span>i<\/span><\/span> poku<\/span><\/span>\u0161<\/span><\/span>aj<\/span><\/span>i<\/span><\/span> da <\/span><\/span>menjaju<\/span><\/span>\u0107<\/span><\/span>i registar izraza <\/span><\/span>izgovorim, <\/span> <\/span>mapiram<\/span><\/span> ovo vreme na najadekvatniji na<\/span><\/span>\u010d<\/span><\/span>in. Onda nije ni <\/span><\/span>\u010d<\/span><\/span>udo <\/span><\/span>\u0161<\/span><\/span>to <\/span><\/span>bi<\/span><\/span>, <\/span><\/span>kada bi se <\/span> <\/span>\u010d<\/span><\/span>italo zajedno,<\/span><\/span> sve <\/span><\/span>to, u stvari, <\/span><\/span>najvi<\/span><\/span>\u0161<\/span><\/span>e li<\/span><\/span>\u010d<\/span><\/span>ilo na<\/span><\/span> mucanje.<\/span><\/span><\/p>\n

Kako ti vidi<\/b><\/span><\/span>\u0161<\/b><\/span><\/span> <\/b>ovo vreme<\/b><\/i><\/span><\/span> koje si pomenuo i kakva je uloga i polo<\/b><\/span><\/span>\u017e<\/b><\/span><\/span>aj pesnika u njemu? <\/b><\/span><\/span><\/p>\n

Najgor<\/span><\/span>e<\/span><\/span> od svega<\/span><\/span> je <\/span><\/span>to <\/span><\/span>\u0161<\/span><\/span>to ve<\/span><\/span>\u0107<\/span><\/span> dugo traje <\/span><\/span>ovo vreme<\/i><\/span><\/span> i <\/span><\/span>pla<\/span><\/span>\u0161<\/span><\/span>im se<\/span><\/span> da <\/span><\/span>\u0107<\/span><\/span>e jo<\/span><\/span>\u0161<\/span><\/span> dugo trajati. Od svih lo<\/span><\/span>\u0161<\/span><\/span>ih stvari koje se de<\/span><\/span>\u0161<\/span><\/span>avaju, mislim da je najgora <\/span><\/span>ba<\/span><\/span>\u0161<\/span><\/span> ta<\/span><\/span> dugotrajno<\/span><\/span>st<\/span><\/span>, <\/span><\/span>bezalternativnost<\/span><\/span>. Mislim da u jednom jakom smislu, najadirektnije, <\/span><\/span>ovo vreme <\/span> <\/span>mo<\/span><\/span>\u017e<\/span><\/span>e da se opi<\/span><\/span>\u0161<\/span><\/span>e <\/span><\/span>re<\/span><\/span>\u010d<\/span><\/span>ima, tj. terminom<\/span><\/span> Valter<\/span><\/span>a<\/span><\/span> Benjamin<\/span><\/span>a kao<\/span><\/span> \u00bbhomogeno prazno vreme\u00ab. <\/span><\/span><\/p>\n

Ovo vreme<\/i><\/span><\/span>, ima, <\/span><\/span>dakle,<\/span><\/span> odre<\/span><\/span>\u0111<\/span><\/span>en<\/span><\/span>u stabilnost, svoju unutra<\/span><\/span>\u0161<\/span><\/span>nju <\/span><\/span>ideologizovanu<\/span><\/span> logiku i uop<\/span><\/span>\u0161<\/span><\/span>te se ne vidi <\/span><\/span>bilo kakav<\/span><\/span> istinski prekid koji bi <\/span><\/span>ga <\/span><\/span>heterogenizovao, uveo neku drugu temporalnost, koji bi na neki jak na<\/span><\/span>\u010d<\/span><\/span>in uveo <\/span><\/span>druga<\/span><\/span>\u010d<\/span><\/span>iju<\/span><\/span> perspektivu u <\/span><\/span>ovo vreme<\/i><\/span><\/span>. <\/span><\/span>Po meni, uloga pesnika bi bila da prvo jasno uvidi tu<\/span><\/span> perspektivu, <\/span><\/span>ka<\/span><\/span>ko <\/span><\/span>bi potom bio sposoban<\/span><\/span> da ubaci neku suprot<\/span><\/span>stavljen<\/span><\/span>u, su<\/span><\/span>\u0161<\/span><\/span>tinski razli<\/span><\/span>\u010d<\/span><\/span>itu perspektivu, <\/span><\/span>novu<\/span><\/span> temporalnost u ovo na<\/span><\/span>\u0161<\/span><\/span>e vreme, <\/span><\/span>pre svega<\/span><\/span> na planu jezika, vizije, <\/span><\/span>subjektivnog<\/span><\/span>. To je ono <\/span><\/span>\u0161<\/span><\/span>to me je najvi<\/span><\/span>\u0161<\/span><\/span>e interesovalo. <\/span><\/span>Ali t<\/span><\/span>o je <\/span><\/span>prili<\/span><\/span>\u010d<\/span><\/span>n<\/span><\/span>o te<\/span><\/span>\u0161<\/span><\/span>ko, <\/span><\/span>jer <\/span><\/span>\u010d<\/span><\/span>ak ni<\/span><\/span> za takvo pisanje nema prostora u ovom vremenu, do te mere, da <\/span><\/span>\u010d<\/span><\/span>ovek treba <\/span><\/span>prvo <\/span> <\/span>da se za to izbori, da <\/span><\/span>heterogenosti <\/span><\/span>da prostora u samom sebi, a da opet tu svoju viziju ne kooptira <\/span><\/span>sa<\/span><\/span> ov<\/span><\/span>im<\/span><\/span> vreme<\/span><\/span>nom<\/span><\/span> i na taj na<\/span><\/span>\u010d<\/span><\/span>in je pretvori u ne<\/span><\/span>\u0161<\/span><\/span>to <\/span><\/span>\u0161<\/span><\/span>to ona nije, da <\/span><\/span>j<\/span><\/span>e <\/span><\/span>su<\/span><\/span>\u0161<\/span><\/span>tinski prepusti,<\/span><\/span> homogenizuje <\/span><\/span>sa datim<\/span><\/span>.<\/span><\/span><\/p>\n

Gledao sam da <\/span><\/span>u<\/span><\/span>radim prvu stvar, a da mi se ne dogodi druga. <\/span><\/span>Jer i<\/span><\/span>ma pesnika i <\/span><\/span>pesnika<\/i><\/span><\/span>. Figura pesnika nije jedna, ve<\/span><\/span>\u0107<\/span><\/span> rascepljena, budu<\/span><\/span>\u0107<\/span><\/span>i da je <\/span><\/span>pesnik, <\/span> <\/span>poput ostalih,<\/span><\/span> dru<\/span><\/span>\u0161<\/span><\/span>tveno bi<\/span><\/span>\u0107<\/span><\/span>e. Sv<\/span><\/span>i<\/span><\/span> se me<\/span><\/span>\u0111<\/span><\/span>usobno razlikuj<\/span><\/span>emo<\/span><\/span> po svojim interesima, <\/span><\/span>mnenjim<\/span><\/span>a, <\/span><\/span>sveto<\/span><\/span>nazor<\/span><\/span>u<\/span><\/span>. Isti slu<\/span><\/span>\u010d<\/span><\/span>aj je i sa pesnicima i poezijom. N<\/span><\/span>a<\/span><\/span>\u0161<\/span><\/span> polo<\/span><\/span>\u017e<\/span><\/span>aj direktno odslikava <\/span><\/span>ovo <\/span><\/span>vreme, <\/span><\/span>tako da nas<\/span><\/span> uop<\/span><\/span>\u0161<\/span><\/span>te ne bih svrstao sve u isti ko<\/span><\/span>\u0161<\/span><\/span>, <\/span><\/span>ve<\/span><\/span>\u0107<\/span><\/span> podelio p<\/span><\/span>rema dubinskim i ne uvek lako vidljivim linijama podele, koje naj<\/span><\/span>\u010d<\/span><\/span>e<\/span><\/span>\u0161\u0107<\/span><\/span>e nisu kao takve<\/span><\/span> prepoznate<\/span><\/span> ne samo<\/span><\/span> u dru<\/span><\/span>\u0161<\/span><\/span>tvu, <\/span><\/span>ve<\/span><\/span>\u0107<\/span><\/span> ni od nas samih<\/span><\/span>. <\/span><\/span>Budu<\/span><\/span>\u0107<\/span><\/span>i da p<\/span><\/span>olo<\/span><\/span>\u017e<\/span><\/span>aj pesnika direktno transponuje ovo vreme u kom <\/span><\/span>\u017e<\/span><\/span>ivimo, <\/span><\/span>u<\/span><\/span>op<\/span><\/span>\u0161<\/span><\/span>te <\/span><\/span>mu <\/span><\/span>ne bih nasuprot stavio figuru pesnika <\/span><\/span>kao takvu<\/span><\/span>. <\/span><\/span>Jer<\/span><\/span>, pesnik je jako dobro uklopljen u ovo vreme, ve<\/span><\/span>\u0107<\/span><\/span>ina n<\/span><\/span>as<\/span><\/span>.<\/span><\/span><\/p>\n

Ona podela koja je najvidljivija jeste postojanje<\/span><\/span> tabora,<\/span><\/span> ljud<\/span><\/span>i<\/span><\/span> koji se bore za svoj interes, goli interes. U koju <\/span><\/span>\u0107<\/span><\/span>e se to politi<\/span><\/span>\u010d<\/span><\/span>ku odoru odenuti, to zavisi od sredine do sredine i to je stvar koja me najmanje interesuje od svega. Kad <\/span><\/span>\u010d<\/span><\/span>ovek zagrebe ispod toga, bude mu <\/span><\/span>naj<\/span><\/span>\u010d<\/span><\/span>e<\/span><\/span>\u0161\u0107<\/span><\/span>e <\/span><\/span>jako dosadno, <\/span><\/span>jer one istinske podele, ukoliko ih uop<\/span><\/span>\u0161<\/span><\/span>te ima, nalaze se drugde<\/span><\/span>. <\/span> <\/span><\/p>\n

Mislim da svako ko se bavi umetno<\/span><\/span>\u0161\u0107<\/span><\/span>u, treba to da radi na neki na<\/span><\/span>\u010d<\/span><\/span>in koji je su<\/span><\/span>\u0161<\/span><\/span>tinski autodestruktivan. U smislu da on <\/span><\/span>svoj<\/span><\/span>om umetno<\/span><\/span>\u0161\u0107<\/span><\/span>u <\/span><\/span>\u0161<\/span><\/span>teti sebi kao dru<\/span><\/span>\u0161<\/span><\/span>tvenom bi<\/span><\/span>\u0107<\/span><\/span>u, kao nekom ko je neminovno kooptiran u <\/span><\/span>ov<\/span><\/span>o vreme. Mi smo svi, hteli-ne hteli, u ogromnom procentu, ni ne shvataju<\/span><\/span>\u0107<\/span><\/span>i to, <\/span><\/span>do gu<\/span><\/span>\u0161<\/span><\/span>e <\/span><\/span>u tome protiv <\/span><\/span>\u010d<\/span><\/span>ega se nominalno borimo. <\/span><\/span>\u010c<\/span><\/span>ovek treba da bude destruktivan upravo u tom smislu, da tu pozajmljenu <\/span><\/span>konstrukciju sopstva<\/span><\/span> koj<\/span><\/span>a<\/span><\/span> nam<\/span><\/span> je nametnuta, uba<\/span><\/span>\u010d<\/span><\/span>ena, zadata, poku<\/span><\/span>\u0161<\/span><\/span>a da obori.<\/span><\/span><\/p>\n

Za<\/b><\/span><\/span>\u0161<\/b><\/span><\/span>to pi<\/b><\/span><\/span>\u0161<\/b><\/span><\/span>e<\/b><\/span><\/span>\u0161<\/b><\/span><\/span>?<\/b><\/span><\/span><\/p>\n

Kao u filmu <\/span><\/span>Fight Club<\/i><\/span><\/span>, <\/span><\/span>treba udar<\/span><\/span>a<\/span><\/span>ti sebe <\/span><\/span>pesnicom pesme<\/span><\/span> u lice, <\/span><\/span>sve <\/span><\/span>dok ne bude<\/span><\/span>\u0161<\/span><\/span> na podu i ne prizna<\/span><\/span>\u0161<\/span><\/span> papiru sve ono <\/span><\/span>\u0161<\/span><\/span>to ne <\/span><\/span>\u017e<\/span><\/span>eli<\/span><\/span>\u0161<\/span><\/span> da prizna<\/span><\/span>\u0161<\/span><\/span> sebi. <\/span><\/span><\/p>\n

Razgovarala Biljana \u017diki\u0107
\n<\/span><\/span><\/p>\n

 <\/p>\n

Dve pesme iz knjige Volfram <\/em>Bojana Vasi\u0107a
\n<\/em><\/strong><\/p>\n

 <\/p>\n

sasvim je la\u017ena<\/p>\n

punina sa kojom<\/p>\n

ustajem ovog jutra<\/p>\n

zadovoljan bekstvom<\/p>\n

praznom \u017eestinom<\/p>\n

koja umiruje<\/p>\n

i \u010dini da do ve\u010deri<\/p>\n

budem koncentrisan i<\/p>\n

istrajan<\/p>\n

 <\/p>\n

ova mr\u017enja<\/p>\n

prema svemu \u0161to jeste<\/p>\n

daje mi razumevanje<\/p>\n

i blagost svu od<\/p>\n

sitnih kajanja koja<\/p>\n

motiku i pogled vodi<\/p>\n

starinski \u010dvrsto<\/p>\n

nalik prenetom smislu<\/p>\n

ili o\u010dekivanom opro\u0161taju<\/p>\n

 <\/p>\n

svoju vatru<\/p>\n

upre\u017eem u mlinove<\/p>\n

prole\u0107a<\/p>\n

pola\u017eem u zemlju<\/p>\n

boraniju i luk<\/p>\n

semenke rane dinje i<\/p>\n

sitnu nazubljenu cveklu<\/p>\n

ustreptalo a ipak mirno<\/p>\n

onako kako se na<\/p>\n

prugu pola\u017ee \u0161aka<\/p>\n

puna eksploziva<\/p>\n

*<\/p>\n

Gledam u tvoju bolest kao \u0161to se gleda u ne\u0161to suvi\u0161no, otvaranje njenih latica je dosadno, u gotovo svakomtu\u0111em pogledu vreba\u0161 svoju smrt, onu koja dolazi ali nije tu, koja je nezaslu\u017eena, ali i onu ukro\u0107enu u koju se gleda kao u druge ljude i koja se zami\u0161lja kako umesto tebe ne postoji dok ti stoji\u0161 sa njene desne strane, to vidim kao odsjaj tvojih beonja\u010da u svojim, svojih u tvojim, toliko sam sada daleko da bolest prestaje da me se ti\u010de, ne sama bolest ve\u0107 taj vi\u0161ak, koji se zove sa\u017ealjenje i pravda, koji zove\u0161 sudbina, i koji je u tvojoj jetri i bubrezima, plu\u0107ima i pankreasu, koji ti je na licu i usnama, koji \u010deka da se kao gnev bo\u017eiji sru\u010di kroz neki pomereni akcenat, suvi\u0161nu re\u010denicu, re\u010d doba\u010denu tek onako, uzdah bez smisla, tvoja bolest i nije bolest ve\u0107 tigar, ime koje se tetovira na bicepsima, grafit ispisan na letelici, bojnom brodu, starim kolima, tvoja \u0161titna \u017elezda je progutana tarantula, moja udaljenost je \u0161iroka kao krovovi, topla kao otrov, tu spavam, bez odnosa, bez vremena, bez strpljenja, dok sedimo ovako na kau\u010du, skoro zagrljeni, mirisom me obavija loj \u0107ebeta, to je tvoj miris, ose\u0107am toplotu vune koja je tvoja toplota, dodirujem ti stopala naduta od vode, pucanje glatke ko\u017ee, kapilare koji gore, ali ti si jo\u0161 uvek ti, i to je ono neoprostivo, bulke raka cvetaju u tvom \u017eitu, mera si bolu koji odzvanja pod staklenim zvonom sedativa, i on je mera tebi, ja nisam tu ve\u0107 neoprostivo duboko u jeziku, daleko u re\u010dima, ubrzavam po ti\u0161ini kao mlazni bolidi u pustinji tvoje samrti, i sat samo otkucava i \u010deka, i puca zvu\u010dni zid, bulke se povijaju, ona te izvodi do kupatila poslednji put, klati\u0161 se i vidim strah, vidim kateter kako visi, iskrivljene usne, zakovan pogled, usredsre\u0111en i vreo, njegovu u\u017earenu granatu zarivenu u moje se\u0107anje.<\/p>\n","protected":false},"excerpt":{"rendered":"

„Mi smo svi, hteli-ne hteli, u ogromnom procentu, ni ne shvataju\u0107i to, do gu\u0161e u tome protiv \u010dega se nominalno borimo. \u010covek treba da bude destruktivan upravo u tom smislu, da tu pozajmljenu konstrukciju sopstva koja nam je nametnuta, uba\u010dena, zadata, poku\u0161a da obori.“ Intervju sa Bojanom Vasi\u0107em, pesnikom<\/p>\n","protected":false},"author":2,"featured_media":7399,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[5,65],"tags":[],"class_list":["post-7398","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interview","category-journal"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"sr","enabled_languages":["sl","sr","en"],"languages":{"sl":{"title":true,"content":true,"excerpt":true},"sr":{"title":false,"content":true,"excerpt":true},"en":{"title":false,"content":true,"excerpt":true}}},"_links":{"self":[{"href":"https:\/\/dkis.si\/sr\/wp-json\/wp\/v2\/posts\/7398","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dkis.si\/sr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dkis.si\/sr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dkis.si\/sr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dkis.si\/sr\/wp-json\/wp\/v2\/comments?post=7398"}],"version-history":[{"count":4,"href":"https:\/\/dkis.si\/sr\/wp-json\/wp\/v2\/posts\/7398\/revisions"}],"predecessor-version":[{"id":13431,"href":"https:\/\/dkis.si\/sr\/wp-json\/wp\/v2\/posts\/7398\/revisions\/13431"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dkis.si\/sr\/wp-json\/wp\/v2\/media\/7399"}],"wp:attachment":[{"href":"https:\/\/dkis.si\/sr\/wp-json\/wp\/v2\/media?parent=7398"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dkis.si\/sr\/wp-json\/wp\/v2\/categories?post=7398"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dkis.si\/sr\/wp-json\/wp\/v2\/tags?post=7398"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}